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Education: "Freshest Advices, February 2003" (Rare Book School: University of Virginia, Charlottesville)



Forwarded to HISTNEUR-L (The History of Neuroscience Internet 
Forum) from EXLIBRIS.

I think those of you who are building your own rare 
book/manuscript/print collections (and I do know there are several of 
you lurking on the list!), or looking to develop or hone expertise in 
publishing history and book, illustration and manuscript evidence, will 
be interested in several of the course offerings at the University of 
Virginia's renowned Rare Book School (or, as some of us alumni/ae 
fondly call it, "Book Camp").  A full schedule is available at: 
http://www.virginia.edu/oldbooks/rbs/schedule.html

Look at the Second Summer Session (14 -18 July) in particular, which 
offers "Book Collecting".   For a week, you are required to be in 
situ--taking class, attending special lectures and exhibits, and 
rubbing elbows with everyone, from all the classes, at morning and 
afternoon coffee breaks, receptions, and some meals.  And what people 
(both staff and fellow students) with whom to rub elbows and bend ears 
(who will want very much to talk with you, the knowledgeable, 
enthusiastic historian/collector, as you with them)--for example: Mark 
Dimunation (Chief of the Rare Book and Special Collections Division of 
the Library of Congress), Alice Schreyer (Director of the Special 
Collections Research Center at the University of Chicago), Eric 
Holzenberg (Director and Librarian of the Grolier Club in New York 
City), Terry Belanger (founder of Rare Book School and the Book Arts 
Press) ... 

It just doesn't get much better than this.

cheers,

Russell Johnson
once and future Book Camp alum


--- Begin Forwarded Message ---
Date: Wed, 5 Feb 2003 16:37:10 -0800 (PST)
From: Terry Belanger [belanger@virginia.edu]
Subject: Freshest Advices, February 2003
Sender: exlibris@library.berkeley.edu



Freshest Advices: February 2003
This message has been posted on the Book_Arts-L, ExLibris, and SHARP 
mailing lists:

The complete schedule for Rare Book School 2003 is available on the RBS Web 
site

         http://www.rarebookschool.org

Highlights: Alan Fern (retired director of the National Portrait Gallery, 
Washington, DC) will be offering a new course on the history of book 
illustration, and Stan Nelson will take over the current RBS course, 
"Introduction to the History of Typography". The following courses will 
return to RBS after an absence of one or more years: Albert Derolez's 
"Latin Paleography, 1100-1500"; Johanna Drucker's "Artists' Books: 
Strategies for Collecting"; Sandy Kita's "Japanese Printmaking, 1615-1868"; 
and Streit/Taylor's "Seminar in Special Collections Administration."  The 
student evaluations of the four courses offered in the RBS January 2003 
session have been posted on our Web site; all evaluations back to 1995 
remain available, ibid.

The Yellow Book. The full 60-pp. RBS 2003 Course Bulletin is in the press 
(this year the covers are yellow), and copies will be mailed out to the 
usual suspects next week. If you are not one of them, you can request a 
copy from:
oldbooks@virginia.edu

Music. RBS continues to bolster its collection of materials supporting D W 
Krummel's course, "The Music of America on Paper," and to this end we have 
recently acquired a complete music engraver's toolkit: rasterales, burins, 
dividers, scorper, burnisher, and the like, plus more than 500 punches; 
composer's MS, pewter progressive plates, camera-ready copy, litho proofs, 
and the final printed paper product (all showing in great detail the 
details of the process, and accompanied by photographs showing the engraver 
and printer at work); with dozens of blank pewter plates for student 
engravers to bash away at.
     Desideratum. We greatly need sorts of letterpress mozaic music type, 
and would be very grateful for any leads to acquiring same.

Autographs. Nathaniel Adams's exhibition, "The Lives of the Autograph 
Collectors" has opened in the Rotunda at UVa (up through 1 May); this is 
one in a continuing series of undergraduate Dome Room exhibitions in which 
an UVa student take on the responsible for all aspects of a show, from 
original idea through mounting and brochure or catalog copy.
     Washington Irving called autograph collectors "the musquitoes of 
literature"; Adams's exhibition tells the story from the mosquito's point 
of view, focusing on autograph hounds during the past two centuries 
(complete with actual hounds). For more information on the exhibition, check

     http://www.virginia.edu/oldbooks/exhibitions/current.shtml

in a few days (information about the preceding Rotunda show, "Printed 
Flowers: The Bookbindings of Margaret Armstrong" will be available until 
the end of the week on the Current Rotunda Exhibition page, after which it 
will be retired to the Shows 1995- page).

Lectures. The English typographer and historian Justin Howes will give a 
public lecture at RBS beginning at 6 pm Monday evening, 3 March 2003, on 
"Typographical Monstrosities: From Sanserifs to the Euro," in Room 201 
Clemons Library. Forthcoming RBS public lectures include
9 June      John Dagenais (Dept of Spanish and Portuguese, UCLA): "Medieval 
MSS in the c21."
7 July      John Bidwell (Morgan Library): "Industrial Hubris:  A 
Revisionist History of the Papermaking Machine."
14 July     Greer Allen: "You See His Letters Every Day: the Tumultuous 
Life & Times of Berthold Wolpe."
28 July     William Noel (Curator of MSS and Rare Books, Walters Art 
Museum): "King David and His Boo0ks in the Middle Ages."
4 Aug       Leon Jackson (Dept of English, University of South 
Carolina):"The Printer as Author from Franklin to Whitman."

Parchment. Last spring, the British historian and calligrapher Michael 
Gullick agreed to make us a set of parchment and paper quires, pricked and 
ruled in various medieval ways in preparation for writing, using (where 
relevant) parchment provided to us for this purpose by Jesse Meyer (of 
Richard E Meyer & Sons, Inc., Montgomery, NY, about 90 minutes by car north 
of Manhattan).
     Michael Gullick consulted with Albert Derolez, Gregory Pass, and 
Barbara Shailor in June 2002, visited Jesse Meyer's factory in early July, 
and made up nine samples immediately thereafter, in time for Barbara 
Shailor's and Roger E. Wieck's RBS courses. The samples comprise nine 
quires intended to illustrate basic pricking and ruling techniques; nos 1-8 
are of parchment; no. 9 is of paper.
     All but two of the parchment quires were made of whole calfskins 
folded once parallel to the spine of the animal to make two bifolia (of two 
leaves each) per skin, each whole skin producing four leaves. The bifolia 
were then gathered in groups of four to make up quires consisting of eight 
leaves. In other words, each quire required the use of two whole skins.
     We hope to commission Michael Gullick to prepare additional sets of 
these parchment and paper quires, for more general sale. Let us know if 
you'd like to be kept informed of our progress, with the view of purchasing 
a set for your own pedagogical uses.

Terry Belanger : University Professor : University of Virginia : Rare Book 
School : 114 Alderman Library : Charlottesville, VA  22903 : Telephone 
434/924-8851   fax 434/924-8824   email belanger@virginia.edu : URL 
http://www.rarebookschool.org

--- End Forwarded Message ---

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